Originally posted by Mike Javi Cooper
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Hill and Ferguson are/were gap shooters?
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Originally posted by fletcherfor2 View PostAnd I promise she'll remember the advice better coming from a stranger than from her husband.
See here I go with the communication thingy again...
Shooting up hill and down hill isn't so much about bending at the waist as it is keeping your shoulders and the arrow parallel. The easiest way to say it is; "bend at the waist" but that usually conjures up visions of drawing level and then forcing a bend at the waist..
A much easier method is to simply set the shoulders and head to the necessary angle before drawing. Envision holding your arms outstretched with the bow arm pointing on a level line to the target and the draw arm in a straight line pointing away from the target "---".. then holding that position slowly bend your upper body so that the index finger of the bow hand is pointing at the target... and the index finger of the draw hand is pointing directly away from the target it would look something like this depending on the angle.. / with the head forming an inverted âTâ with the shoulders.. this keeps your draw length and sight window the same regardless of the angle..
you can tell I ain't an artist...Last edited by Mike Javi Cooper; 01-22-2014, 06:34 PM.
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Originally posted by fletcherfor2 View PostAnd I promise she'll remember the advice better coming from a stranger than from her husband.
Originally posted by Mike Javi Cooper View Post
See here I go with the communication thingy again...
Shooting up hill and down hill isn't so much about bending at the waist as it is keeping your shoulders and the arrow parallel. The easiest way to say it is; "bend at the waist" but that usually conjures up visions of drawing level and then forcing a bend at the waist..
A much easier method is to simply set the shoulders and head to the necessary angle before drawing. Envision holding your arms outstretched with the bow arm pointing on a level line to the target and the draw arm in a straight line pointing away from the target "---".. then holding that position slowly bend your upper body so that the index finger of the bow hand is pointing at the target... and the index finger of the draw hand is pointing directly away from the target it would look something like this depending on the angle.. / with the head forming an inverted âTâ with the shoulders.. this keeps your draw length and sight window the same regardless of the angle..
you can tell I ain't an artist...
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I think I aim, without thinking about it. I look at my target and bare down on it until the world blurrs out. The only thing I can focus on is the spot. I draw my bow, I see the arrow under my eye but dont feel like I'm really aiming with it. I continue to focus on the spot as my bow arm settles then, the arrow is gone. I dont think about any of that it just kinda happens on it's own. If I try to think about what I'm doing I can't shoot for beans. If I just let it flow, life is good.
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Originally posted by Buff View PostI think I aim, without thinking about it. I look at my target and bare down on it until the world blurrs out. The only thing I can focus on is the spot. I draw my bow, I see the arrow under my eye but dont feel like I'm really aiming with it. I continue to focus on the spot as my bow arm settles then, the arrow is gone. I dont think about any of that it just kinda happens on it's own. If I try to think about what I'm doing I can't shoot for beans. If I just let it flow, life is good.
What you describe is what I hope to achieve with regularity and consistency. The lines I put in bold is the challenge for many, I think.
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Buff, that is instinctive shooting... good description and as Martha says; no one can't argue with your successes..
Aiming based on a spatial relationship between the arrow or other object/mark on the bow and the target is not instinctive.. although some blur the lines by using a combination of both...
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